Thoughts from Peter Olevnik and David Winter upon reading
the draft of Into the Light.
In the beginning was the word. The word was no. But, he
ignored the word and found a new direction. But that direction had no map. His
map was painting. Through his painting he found a way to interpret his thought,
feelings and responses.
As he aged, he had new experiences, his need to express
these changed. He moved from being a describer of art to one who feels and sees
through his art.
Peter Olevnik
Into the light he flew, and returned again.
David Winter
I
sit, stand, and walk around my attic storage space full of pictures, paintings,
collection of the artists, stacked in piles, by years. Looking at them I
realize they are me. A long time ago I started this journey, not knowing no end
(self defining processes generally do not have points). Sitting now, eleven
years later, I've just passed another fork in the road.
Up until I was 32 years old I followed directions and did
what I was suppose to do. I stopped when I realized I wanted my life to be what
I wanted it to be, not what someone else thought, or wanted it, and me, to be.
I paid the price and went on my way.
I wrote to get over the guilt of leaving the everyday lives
of my young children and to better understand what was important to me. I also
went overboard on the freedom thing and realized excess can be just as bad or
worse than apathy.
The chronicler wrote on and added painting to the process. A
basic unresolved state and heaviness of thought lay down its place on papers
and canvas. The talent and sadness of Vincent VanGogh, and the focus on
darkness were my soul.
In stopping the Vincent thing I had to go on with my own
work, which required me to look, feel, think and be what I was doing. This scary
place is also the responsible place, because if there were no ideas, something
loved would stop. Success at my own efforts made my thoughts, deeds, actions
and outcomes lighter, lighter still.
Fear makes the darkness for if you're afraid you can't try.
This book is my journey into the light. The store, the cards and all the brush
less efforts are just my statements away from others and towards my self. They
are the works of an artist no longer afraid of himself.
Into the Light is my journey to find myself, and finding my
self where I was all along. We're all born into the light, and spend our days
moving away from the freedom of being. This book is for those who are not
afraid to be alive, and this book is a small personal statement of freedom.
Howard
June 27th, 1992
Second edit completed August 20th 1998)