From July to December 1994.

 

 

After controlled comes uncontrolled.

 

 

The 10th of July (7/10/98)

 

 

Having always been a fan of Modigliani it was fun painting his portrait from a magazine photo Dr. Olevnik brought me.

 

 

Portrait of Amedeo Modigliani in 1910 (7/16/94)

 

 

 

Still trying large blocks of colors, opposite one and another, arranged shapes that try, sometimes saying something.

 

 

A Hug (7/16/94)

 

 

And so, one day Regina came to see us and saw an unfinished

portrait of Modigliani on the easel and said "I have a favor of his, will you paint it for me? She brought a copy of what I used for the base, but the picture came out more looking like Regina holding a baby. She's banished herself to the prairie for making human mistakes while her mother and I hope it won’t take her too long to forgive her self.

 

 

Portrait for Regina (7/21/94)

 

 

 

 

It's Christmas Day, Sunday 1994. All is Calm, all is bright, Calm, all is just right.

 

 

 

Picture of Calm (8/4/94)

 

 

Black and White Naked Woman (8/7/94)

 

 

 

 

The Benetti's are born again, and live across the street on Rugby Avenue. They have about 30 kids

and Joan, the mother/wife home schools. When we first moved to Rugby, they brought us a plate of cookies and I gave them a painting (a very nice Matisse by the way). Since early on we haven't spoken as we have nothing in common and I've long ago now given up small talk with people I have no stomach for. I decided one hot August night to paint outside, which unfortunately still draws a crowd, and produced a nice feeling of Benetti's house on Rugby. The kids watched me paint most of it before their father, who thinks I’m a bad influence, I’m sure, rounded them up.

 

 

 

The Benetti's House on Rugby Avenue (8/24/94)

 

 

 

 

I used a mirror to do this, but forgot it reverses the way things look and presto, all of a sudden I'm left handed.

 

 

Portrait of 9/17/94 (self, painting painting)

 

 

 

Painting is symbols.

 

 

 

Symbol (9/94)

 

 

 

A tribute to my friend Vincent, as Fall fell into my canvas as if from his hand to mine.

 

 

 

Fall 1994 (9/94)

 

 

 

 

Still at Saturdays creations, me and the "Doc" he just turned 60 the 23rd. We had a drink and talked about New York, like always. Perhaps we'll go there this spring.

 

 

 

                        Peter Olevnik, Painting (9/24/94)

 

 

 

Untitled (9/25/94)

 

 

 

So I realized I'd fallen seriously behind in my writing when the pile of pictures covered more than two years, without comment. Flying into action, space was set aside for a typewriter and the catching up began in earnest. The space looks like this.

 

 

 

Writer's Place in my Studio (10/94)

 

 

 

My version of Vincent's friend, the postman Roulin.

 

 

 

Joseph Roulin, the Postman (11/13/94)

 

Still just a little defiant.

 

 

 

A Man (11/22/94)

 

 

 

I see my brother about every five or so years, and this Thanksgiving he was home. One afternoon he came over with his three boys, and he sat for me. We talked; the boys watched and out of this came a wonderful picture (even my mother said she like it). My mother said, "the more you look at it, the more it looks like Bill". Great fun, this.

 

 

 

 

Portrait of William Allan Beatty (11/29/94)

 

 

 

 

Somebody once said "if it don't kill ya it'll make you stronger" and I think that's right. 1994 was like that for me.

 

From each beginning and through to all ends everything, for me, is about finding Calm. My Calm is to be while doing better than just "jotting" it down.

 

 

 

1994 (12/25/94)