Pictures from Rugby Avenue, the corner of everywhere and
everywhere else.
a lover’s song
Forever ago, as if it were yesterday, I stood rubbing your
nose, in hopes that that "spot" would go away, and you saying
"hey, that's not ink", with me, later, flashing at you the most awful
of orange paintings. You said,
"that's nice, but could you turn it around?"
I wore your clothes because I had none, and you gave them to
me. We sat, riverfront, viewing, me drawing your face as the August sun shown
down upon your softness. At that time we were all lovers, complete but not
defined in anything but the now of our us-ness.
Time passed, with you picking me up at Knickerbocker, as we
(really, me) didn't want what I was doing at work touched by our togetherness.
Never did you complain, you smiled, as I, sitting on steps, counted the moments
"'till we'd be together again" .
After awhile my toothbrush moved and we stopped doing the
"pick me up at Knickerbocker" thing. We became together and I
remember those days, and the best of passionate nights.
We strove on. I bought more clothes as I had none, made
obvious by the lushness of my wardrobe that fit easily into the storages spaces
at Ernestine Street, a home not noted for its closets.
We made it through what I’d refer to as my Cadillac
Hotel phase. You know, the time I
painted the living room with black outdoor house paint, in figures nobody would
ever see.
You still loved me “more than I loved you”.
I loved you for forgiving me, and helping me paint that room
a soft pink the next day.
Ernestine Street was like home plate for baseball players
and I came home there. The studio, the patio we made, the rooms for the boys
set us, me, in place. So, I thought the place was small, and it
was, and you and I agreed, and went looking for something a little bigger,
finding it, almost
immediately after the first of the year. You always know
something's right by the way it feels, and by the way everything falls into
place. Ernestine Street will always be our little house, and Rugby Avenue, the
second corner of everywhere and everywhere else, after Raines and Birr, will
forever
be our home.
enough room, enough
space,
two porches, one up, one
down.
black and white, black
and white.
Under
Apple Tree Looking East (9189)
the beauty of your own
backyard
is that you don't have
to go anywhere else to start,
and you're home when
you're finished.
the spring of '89 from
my flying bridge,
what a treat this place
is.
Under
Apple Trees Looking South (1989)
on land the most
prevalent color is green,
all its tones are worth
the struggle.