Edgar Degas, and me who would of thought such a thing.

 

 

If you're lucky and have someone who loves you they will know when you're in an impossible situation and they'll help you through. My wife said to me early in the fall of 1995,”why don't you paint some pictures we could put in the living room?” A blessing in disguise.

 

Having just received a book on Edgar Degas from Regina, and knowing that would be something my wife would like, as opposed to, say, a Jackson Pollack, I began my studies with "Uncle Edgar", whom I'd always relegated to the pastel workers, actually lumping him below the users

of acrylics and watercolors. I learned a lot from "Uncle Edgar", and as a matter of fact came to see what Gauguin saw (see Three Girls bathing 1875).

 

I rendered three efforts from Edgar's work, the first, below.

 

 

Woman Trying on Hat in a Mirror (10/29/95)

 

 

The second Degas was of a woman trying on hats while seated at a table. On the table are five hats, some on the table, some on stands. Ribbons and flowers and bows decorate the hats, making them of all colors. The woman is studying a hat as if she'll eat it, while the background is darkly brushed

light, just a feeling of walls. Uncle Edgar uses colors, darks versus light, and greens, blues with black outlines. Wonderful stuff to learn, see, and do. I'd come to like Uncle Edgar by about now.

 

 

Woman, seated with Hats (11/10/95)

 

 

The final study from Edgar was of Mary Cassatt standing in front of a large floor length mirror. Behind the mirror is a hat shop worker who is holding additional hats to be tried on. Again, the colors in this picture are very different from anything I've tried before. Orange, indeed, is a hard color to be the main focus of a picture other than a landscape.

 

 

Mary Cassatt at the Milliners (11/19/95)